Toward a Definition of Popular Culture
Holt N. Parker
History and Theory 50, no. 2 (2011)
The most common definitions of popular culture suffer from a presentist bias and cannot be applied to pre-industrial and pre-capitalist societies. A survey reveals serious conceptual difficulties as well. We may, however, gain insight in two ways. 1) By moving from a Marxist model (economic/class/production) to a more Weberian approach (societal/status/consumption). 2) By looking to Bourdieu's “cultural capital” and Danto's and Dickie's “Institutional Theory of Art,” and defining popular culture as “unauthorized culture.”